53 bars of 4/4 at 135 BPM, about 1:34 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 23, 25 and 29-31, and 1 more place -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 8 times: bars 22, 28, 32, 33, 36, 40 and 2 more.
3 more fills are written out on the fills page.
53 bars across 5 sections: 24 keep time, 8 are fills and 18 are silent. The longest unbroken stretch of time is bars 23-27.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
53 bars, about 1:34 at the written tempo. The course breaks it into 20 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 22, 28, 32, 33, 36, 40 and 2 more.