307 bars, 25:39, at 50 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 221-223, 225-226 and 229-230, and 14 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 46 times: bars 18, 19, 22, 23, 28, 31 and 40 more.
16 more fills are written out on the fills page.
310 bars across 30 sections: 198 keep time, 46 are fills, 13 are stops and 28 are silent. The longest unbroken stretch of time is bars 271-294.
50 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
307 bars, about 25:39 at the written tempo. The course breaks it into 100 exercises over 34 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 46 times: bars 18, 19, 22, 23, 28, 31 and 40 more.