140 bars, 10:48, at 56 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 74-76, 78-80 and 108-110, and 3 more places -- 9.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 21 times: bars 4, 8, 15, 16, 24, 28 and 15 more.
13 more fills are written out on the fills page.
140 bars across 19 sections: 84 keep time, 21 are fills, 5 are stops and 13 are silent. The longest unbroken stretch of time is bars 32-46.
56 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
140 bars, about 10:48 at the written tempo. The course breaks it into 75 exercises over 25 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 21 times: bars 4, 8, 15, 16, 24, 28 and 15 more.