96 bars of 4/4 at a walking 97 BPM, 3:58 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 27-31, 33 and 60-64, and 3 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 14 times: bars 22, 26, 32, 34, 55, 59 and 8 more.
1 more fill is written out on the fills page.
96 bars across 14 sections: 63 keep time, 14 are fills, 3 are stops and 5 are silent. The longest unbroken stretch of time is bars 1-10.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
96 bars, about 3:58 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 22, 26, 32, 34, 55, 59 and 8 more.