121 bars of 4/4 at a walking 76 BPM, 6:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 65-73, 83-91 and 101-103, and 2 more places -- 26.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 8 times: bars 64, 74, 82, 92, 100, 104 and 2 more.
1 more fill is written out on the fills page.
121 bars across 14 sections: 81 keep time, 8 are fills, 2 are stops and 14 are silent. The longest unbroken stretch of time is bars 13-23.
76 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
121 bars, about 6:20 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 64, 74, 82, 92, 100, 104 and 2 more.