126 bars of 4/4 at a walking 95 BPM, 5:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-14, 33-38 and 69-74, and 1 more place -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 15 times: bars 8, 15, 16, 32, 40, 48 and 9 more.
5 more fills are written out on the fills page.
126 bars across 16 sections: 65 keep time, 15 are fills, 15 are stops and 15 are silent. The longest unbroken stretch of time is bars 77-83.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
126 bars, about 5:18 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 8, 15, 16, 32, 40, 48 and 9 more.