121 bars of 4/4 at 127 BPM, about 3:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-12, 14-16 and 26-28, and 9 more places -- 31.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 23 times: bars 5, 9, 24, 25, 45, 49 and 17 more.
6 more fills are written out on the fills page.
121 bars across 16 sections: 67 keep time, 23 are fills, 6 are stops and 7 are silent. The longest unbroken stretch of time is bars 10-16.
127 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 53 out of 100; the rest of the number is everything around it.
121 bars, about 3:47 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 23 times: bars 5, 9, 24, 25, 45, 49 and 17 more.