123 bars of 4/4 at 120 BPM, about 4:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 41, 45 and 49, and 5 more places -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 27, 39, 55, 56, 64, 72 and 8 more.
4 more fills are written out on the fills page.
123 bars across 9 sections: 78 keep time, 14 are fills, 2 are stops and 19 are silent. The longest unbroken stretch of time is bars 20-26.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
123 bars, about 4:06 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 27, 39, 55, 56, 64, 72 and 8 more.