113 bars of 4/4 at 130 BPM, about 3:25 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-11, 18-19 and 39-40, and 9 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 60 times: bars 5, 9, 11, 12, 13, 14 and 54 more.
21 more fills are written out on the fills page.
113 bars across 8 sections: 34 keep time, 60 are fills and 9 are stops. The longest unbroken stretch of time is bars 104-109.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
113 bars, about 3:25 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 60 times: bars 5, 9, 11, 12, 13, 14 and 54 more.