116 bars at 156 BPM -- fast, and 2:58 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 35, 37-43 and 45-49 -- 14.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 36, 44, 60, 64, 68, 81 and 8 more.
4 more fills are written out on the fills page.
116 bars across 11 sections: 52 keep time, 14 are fills, 18 are stops and 28 are silent. The longest unbroken stretch of time is bars 22-33.
156 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
116 bars, about 2:58 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 36, 44, 60, 64, 68, 81 and 8 more.