112 bars of 4/4 at a walking 96 BPM, 4:40 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23, 25-31 and 33, and 7 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 14 times: bars 24, 32, 37, 46, 54, 63 and 8 more.
3 more fills are written out on the fills page.
112 bars across 8 sections: 89 keep time, 14 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 2-20.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
112 bars, about 4:40 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 24, 32, 37, 46, 54, 63 and 8 more.