81 bars of 4/4 at a walking 105 BPM, 3:03 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14-16, 18-20 and 36-38, and 1 more place -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 16 times: bars 9, 12, 13, 17, 27, 31 and 10 more.
5 more fills are written out on the fills page.
81 bars across 9 sections: 41 keep time, 16 are fills, 8 are stops and 7 are silent. The longest unbroken stretch of time is bars 52-59.
105 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
81 bars, about 3:03 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 9, 12, 13, 17, 27, 31 and 10 more.