160 bars at 165 BPM -- fast, and 3:53 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-35, 45-51 and 65-71, and 4 more places -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 16, 36, 44, 52, 72, 80 and 7 more.
3 more fills are written out on the fills page.
160 bars across 16 sections: 93 keep time, 13 are fills, 35 are stops and 6 are silent. The longest unbroken stretch of time is bars 149-160.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
160 bars, about 3:53 at the written tempo. The course breaks it into 35 exercises over 8 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 16, 36, 44, 52, 72, 80 and 7 more.