158 bars at 165 BPM -- fast, and 3:25 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 52-58, 60-66 and 68-69, and 3 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 12 times: bars 32, 34, 35, 46, 47, 51 and 6 more.
1 more fill is written out on the fills page.
158 bars across 13 sections: 92 keep time, 12 are fills, 25 are stops and 18 are silent. The longest unbroken stretch of time is bars 89-96.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
158 bars, about 3:25 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 12 times: bars 32, 34, 35, 46, 47, 51 and 6 more.