104 bars of 4/4 at a walking 100 BPM, 4:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 32-34, 36-38 and 40-42, and 4 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 17 times: bars 25, 35, 39, 43, 51, 61 and 11 more.
8 more fills are written out on the fills page.
104 bars across 11 sections: 52 keep time, 17 are fills, 3 are stops and 22 are silent. The longest unbroken stretch of time is bars 17-24.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
104 bars, about 4:08 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 17 times: bars 25, 35, 39, 43, 51, 61 and 11 more.