104 bars, 5:44, at 72 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 79-81, 83-85 and 87-89, and 4 more places -- 22.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 22 times: bars 13, 34, 35, 36, 37, 51 and 16 more.
7 more fills are written out on the fills page.
104 bars across 7 sections: 58 keep time, 22 are fills, 2 are stops and 16 are silent. The longest unbroken stretch of time is bars 14-28.
72 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
104 bars, about 5:44 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 13, 34, 35, 36, 37, 51 and 16 more.