38 bars of 4/4 at 110 BPM, about 1:23 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-16 and 18-19 -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 7 times: bars 5, 13, 17, 21, 25, 29 and 1 more.
3 more fills are written out on the fills page.
38 bars across 5 sections: 17 keep time, 7 are fills, 6 are stops and 4 are silent. The longest unbroken stretch of time is bars 6-12.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
38 bars, about 1:23 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 25 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 7 times: bars 5, 13, 17, 21, 25, 29 and 1 more.