129 bars of 4/4 at 135 BPM, about 3:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31-34, 37 and 41, and 12 more places -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 12 times: bars 38, 42, 46, 50, 65, 73 and 6 more.
4 more fills are written out on the fills page.
129 bars across 15 sections: 87 keep time, 12 are fills, 9 are stops and 5 are silent. The longest unbroken stretch of time is bars 115-129.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 56 out of 100; the rest of the number is everything around it.
129 bars, about 3:47 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 12 times: bars 38, 42, 46, 50, 65, 73 and 6 more.