126 bars of 4/4 at a walking 83 BPM, 6:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3-5, 7-8 and 102-109, and 2 more places -- 14.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 2, 6, 25, 57, 61, 83 and 5 more.
3 more fills are written out on the fills page.
126 bars across 12 sections: 93 keep time, 11 are fills, 7 are stops and 6 are silent. The longest unbroken stretch of time is bars 26-42.
83 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
126 bars, about 6:13 at the written tempo. The course breaks it into 43 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 2, 6, 25, 57, 61, 83 and 5 more.