150 bars of 3/4 -- not four -- at 93 BPM, 4:50 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 50-52, and 16 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 40 times: bars 4, 12, 20, 24, 28, 32 and 34 more.
10 more fills are written out on the fills page.
150 bars across 11 sections: 96 keep time and 41 are fills. The longest unbroken stretch of time is bars 134-149.
93 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
150 bars, about 4:50 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 40 times: bars 4, 12, 20, 24, 28, 32 and 34 more.