97 bars, 5:41, at 68 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 31, 36 and 39-44, and 6 more places -- 26.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 5 times: bars 1, 27, 49, 59 and 77.
97 bars across 11 sections: 59 keep time, 5 are fills, 3 are stops and 14 are silent. The longest unbroken stretch of time is bars 84-97.
68 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
97 bars, about 5:41 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 1, 27, 49, 59 and 77.