105 bars at 210 BPM -- fast, and 2:00 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 17 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 34 times: bars 1, 2, 3, 4, 5, 6 and 28 more.
7 more fills are written out on the fills page.
105 bars across 9 sections: 39 keep time, 34 are fills and 21 are stops. The longest unbroken stretch of time is bars 9-14.
210 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
105 bars, about 2:00 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 34 times: bars 1, 2, 3, 4, 5, 6 and 28 more.