122 bars of 8/4 -- not four -- at 160 BPM, 4:41 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 19-26 -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 1, 2, 6, 15, 16, 17 and 4 more.
3 more fills are written out on the fills page.
122 bars across 8 sections: 44 keep time, 10 are fills, 1 is a stop and 58 are silent. The longest unbroken stretch of time is bars 30-38.
160 BPM, in 8/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
122 bars, about 4:41 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 1, 2, 6, 15, 16, 17 and 4 more.