114 bars at 160 BPM -- fast, and 2:51 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 35-37, and 5 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 17 times: bars 18, 31, 41, 45, 49, 51 and 11 more.
5 more fills are written out on the fills page.
114 bars across 14 sections: 42 keep time, 17 are fills, 36 are stops and 7 are silent. The longest unbroken stretch of time is bars 75-84.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
114 bars, about 2:51 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 18, 31, 41, 45, 49, 51 and 11 more.