68 bars of 4/4 at a walking 100 BPM, 2:43 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15, 19 and 23-24, and 6 more places -- 32.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 5 times: bars 5, 27, 34, 60 and 68.
1 more fill is written out on the fills page.
68 bars across 5 sections: 54 keep time, 5 are fills and 4 are silent. The longest unbroken stretch of time is bars 38-59.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
68 bars, about 2:43 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 5 times: bars 5, 27, 34, 60 and 68.