242 bars of 6/4 -- not four -- at 179 BPM, 7:24 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 134, 136 and 138, and 7 more places -- 7.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 64 times: bars 1, 2, 3, 4, 15, 16 and 58 more.
19 more fills are written out on the fills page.
242 bars across 23 sections: 72 keep time, 64 are fills, 10 are stops and 73 are silent. The longest unbroken stretch of time is bars 145-150.
179 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
242 bars, about 7:24 at the written tempo. The course breaks it into 85 exercises over 24 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 64 times: bars 1, 2, 3, 4, 15, 16 and 58 more.