143 bars of 4/4 at 150 BPM, about 4:11 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-12, 15-17 and 19-21, and 3 more places -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 33 times: bars 5, 6, 7, 8, 9, 10 and 27 more.
17 more fills are written out on the fills page.
143 bars across 19 sections: 54 keep time, 33 are fills, 18 are stops and 20 are silent. The longest unbroken stretch of time is bars 88-94.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 59 out of 100; the rest of the number is everything around it.
143 bars, about 4:11 at the written tempo. The course breaks it into 66 exercises over 18 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 33 times: bars 5, 6, 7, 8, 9, 10 and 27 more.