104 bars of 4/4 at a walking 97 BPM, 4:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 33-35, and 3 more places -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 25 times: bars 4, 8, 12, 13, 14, 15 and 19 more.
7 more fills are written out on the fills page.
104 bars across 16 sections: 60 keep time, 25 are fills, 1 is a stop and 6 are silent. The longest unbroken stretch of time is bars 18-30.
97 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
104 bars, about 4:24 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 25 times: bars 4, 8, 12, 13, 14, 15 and 19 more.