145 bars of 4/4 at 150 BPM, about 3:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 31-33, 35-37 and 39-41, and 1 more place -- 10.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 53 times: bars 5, 6, 7, 8, 9, 10 and 47 more.
9 more fills are written out on the fills page.
145 bars across 13 sections: 46 keep time, 53 are fills, 7 are stops and 30 are silent. The longest unbroken stretch of time is bars 74-80.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
145 bars, about 3:52 at the written tempo. The course breaks it into 47 exercises over 16 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 53 times: bars 5, 6, 7, 8, 9, 10 and 47 more.