105 bars of 4/4 at a walking 102 BPM, 4:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-24, 27-28 and 31-32, and 7 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 51 times: bars 1, 2, 3, 4, 5, 6 and 45 more.
6 more fills are written out on the fills page.
105 bars across 8 sections: 43 keep time, 51 are fills and 3 are silent. The longest unbroken stretch of time is bars 75-78.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
105 bars, about 4:07 at the written tempo. The course breaks it into 32 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 51 times: bars 1, 2, 3, 4, 5, 6 and 45 more.