120 bars of 4/4 at 138 BPM, about 3:29 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-24, 26-30 and 36, and 14 more places -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 24 times: bars 14, 15, 16, 17, 18, 31 and 18 more.
10 more fills are written out on the fills page.
120 bars across 14 sections: 76 keep time, 24 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 20-30.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
120 bars, about 3:29 at the written tempo. The course breaks it into 46 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 24 times: bars 14, 15, 16, 17, 18, 31 and 18 more.