162 bars of 4/4 at 120 BPM, about 5:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5, 7-9 and 11-17, and 6 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 30 times: bars 6, 10, 18, 52, 57, 58 and 24 more.
6 more fills are written out on the fills page.
162 bars across 24 sections: 85 keep time, 30 are fills, 9 are stops and 1 is silent. The longest unbroken stretch of time is bars 119-126.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
162 bars, about 5:09 at the written tempo. The course breaks it into 53 exercises over 16 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 30 times: bars 6, 10, 18, 52, 57, 58 and 24 more.