228 bars at 160 BPM -- fast, and 5:45 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 30, 32 and 34-36, and 22 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 45 times: bars 29, 31, 33, 37, 39, 41 and 39 more.
13 more fills are written out on the fills page.
228 bars across 31 sections: 114 keep time, 45 are fills, 13 are stops and 44 are silent. The longest unbroken stretch of time is bars 46-59.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
228 bars, about 5:45 at the written tempo. The course breaks it into 64 exercises over 18 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 45 times: bars 29, 31, 33, 37, 39, 41 and 39 more.