145 bars of 4/4 at 132 BPM, about 4:24 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35, 58-60 and 62-64, and 8 more places -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 9 times: bars 65, 73, 77, 113, 121, 129 and 3 more.
3 more fills are written out on the fills page.
145 bars across 14 sections: 51 keep time, 9 are fills, 22 are stops and 55 are silent. The longest unbroken stretch of time is bars 13-20.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
145 bars, about 4:24 at the written tempo. The course breaks it into 37 exercises over 13 sittings, about 24 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 65, 73, 77, 113, 121, 129 and 3 more.