115 bars of 4/4 at 140 BPM, about 3:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-15, 35-40 and 99-105 -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 22 times: bars 9, 16, 25, 29, 33, 34 and 16 more.
11 more fills are written out on the fills page.
115 bars across 15 sections: 74 keep time, 22 are fills and 4 are stops. The longest unbroken stretch of time is bars 51-65.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 51 out of 100; the rest of the number is everything around it.
115 bars, about 3:13 at the written tempo. The course breaks it into 55 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 22 times: bars 9, 16, 25, 29, 33, 34 and 16 more.