140 bars of 4/4 at a walking 105 BPM, 3:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-30, 51-56 and 59-61, and 1 more place -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 17 times: bars 31, 32, 49, 50, 57, 58 and 11 more.
4 more fills are written out on the fills page.
140 bars across 10 sections: 46 keep time, 17 are fills, 40 are stops and 28 are silent. The longest unbroken stretch of time is bars 16-23.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
140 bars, about 3:59 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 31, 32, 49, 50, 57, 58 and 11 more.