183 bars of 4/4 at 145 BPM, about 5:01 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 43-44, 47-48 and 51-52, and 11 more places -- 17.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 41 times: bars 15, 23, 25, 39, 42, 45 and 35 more.
11 more fills are written out on the fills page.
183 bars across 10 sections: 93 keep time, 41 are fills, 1 is a stop and 38 are silent. The longest unbroken stretch of time is bars 126-141.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
183 bars, about 5:01 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 41 times: bars 15, 23, 25, 39, 42, 45 and 35 more.