142 bars of 4/4 at 110 BPM, about 5:08 of playing, on crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 49-51, 53-56 and 89-100 -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 2, 9, 10, 11, 24, 57 and 6 more.
3 more fills are written out on the fills page.
142 bars across 16 sections: 94 keep time, 12 are fills, 11 are stops and 1 is silent. The longest unbroken stretch of time is bars 90-100.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
87 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 80 out of 100; the rest of the number is everything around it.
142 bars, about 5:08 at the written tempo. The course breaks it into 49 exercises over 17 sittings, about 27 minutes each.
crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 2, 9, 10, 11, 24, 57 and 6 more.