120 bars of 4/4 at a walking 105 BPM, 4:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-47 and 89-103 -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 10 times: bars 8, 24, 48, 56, 64, 88 and 4 more.
4 more fills are written out on the fills page.
120 bars across 13 sections: 89 keep time, 10 are fills and 9 are silent. The longest unbroken stretch of time is bars 10-23.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
120 bars, about 4:35 at the written tempo. The course breaks it into 35 exercises over 8 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 10 times: bars 8, 24, 48, 56, 64, 88 and 4 more.