66 bars of 4/4 at a walking 90 BPM, 2:56 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-19, 23 and 37-39, and 3 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 16 times: bars 20, 24, 36, 40, 44, 45 and 10 more.
2 more fills are written out on the fills page.
66 bars across 6 sections: 40 keep time, 16 are fills, 1 is a stop and 6 are silent. The longest unbroken stretch of time is bars 25-35.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
66 bars, about 2:56 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 16 times: bars 20, 24, 36, 40, 44, 45 and 10 more.