172 bars of 4/4 at 142 BPM, about 4:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 10 more places -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 21 times: bars 5, 35, 36, 37, 45, 53 and 15 more.
6 more fills are written out on the fills page.
172 bars across 18 sections: 126 keep time, 21 are fills, 6 are stops and 4 are silent. The longest unbroken stretch of time is bars 79-92.
142 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
172 bars, about 4:49 at the written tempo. The course breaks it into 58 exercises over 22 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 21 times: bars 5, 35, 36, 37, 45, 53 and 15 more.