106 bars of 4/4 at a walking 102 BPM, 4:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-10, 17-23 and 42, and 3 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 9 times: bars 51, 93, 94, 95, 96, 97 and 3 more.
106 bars across 14 sections: 78 keep time, 9 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 69-80.
102 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
106 bars, about 4:09 at the written tempo. The course breaks it into 38 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 9 times: bars 51, 93, 94, 95, 96, 97 and 3 more.