177 bars of 4/4 at 151 BPM, about 4:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 62, 64 and 66, and 17 more places -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 11 times: bars 17, 59, 75, 97, 113, 118 and 5 more.
6 more fills are written out on the fills page.
177 bars across 16 sections: 129 keep time, 11 are fills, 8 are stops and 7 are silent. The longest unbroken stretch of time is bars 77-91.
151 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
177 bars, about 4:38 at the written tempo. The course breaks it into 57 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 11 times: bars 17, 59, 75, 97, 113, 118 and 5 more.