169 bars of 4/4 at a walking 83 BPM, 7:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 121-123, 125 and 127, and 1 more place -- 4.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 57 times: bars 16, 24, 28, 32, 40, 44 and 51 more.
21 more fills are written out on the fills page.
169 bars across 16 sections: 81 keep time, 57 are fills, 4 are stops and 14 are silent. The longest unbroken stretch of time is bars 5-12.
83 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
81 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
169 bars, about 7:53 at the written tempo. The course breaks it into 70 exercises over 25 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 57 times: bars 16, 24, 28, 32, 40, 44 and 51 more.