142 bars of 4/4 at 150 BPM, about 3:47 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3, 9-11 and 17-19, and 8 more places -- 21.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 32, 51 and 115.
142 bars across 16 sections: 111 keep time, 3 are fills, 6 are stops and 9 are silent. The longest unbroken stretch of time is bars 89-105.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 12 out of 100; the rest of the number is everything around it.
142 bars, about 3:47 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
3 fills to learn, played 3 times: bars 32, 51 and 115.