170 bars of 3/4 -- not four -- at 100 BPM, 5:05 of playing on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29, 31-50 and 75-90, and 2 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 31 times: bars 12, 20, 28, 30, 51, 59 and 25 more.
6 more fills are written out on the fills page.
170 bars across 14 sections: 115 keep time, 31 are fills, 7 are stops and 4 are silent. The longest unbroken stretch of time is bars 31-50.
100 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
170 bars, about 5:05 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 31 times: bars 12, 20, 28, 30, 51, 59 and 25 more.