123 bars of 4/4 at a walking 95 BPM, 4:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 72-77, 79-85 and 87-92, and 2 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 8 times: bars 18, 30, 34, 46, 86, 94 and 2 more.
1 more fill is written out on the fills page.
123 bars across 13 sections: 87 keep time, 8 are fills, 13 are stops and 3 are silent. The longest unbroken stretch of time is bars 72-85.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
123 bars, about 4:57 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 18, 30, 34, 46, 86, 94 and 2 more.