91 bars of 4/4 at 145 BPM, about 2:28 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-18, 56-58 and 60 -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 8, 26, 27, 38, 53, 54 and 6 more.
2 more fills are written out on the fills page.
91 bars across 13 sections: 54 keep time, 12 are fills and 9 are stops. The longest unbroken stretch of time is bars 10-18.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
91 bars, about 2:28 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 8, 26, 27, 38, 53, 54 and 6 more.