88 bars of 4/4 at a walking 87 BPM, 4:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 12 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 16, 24, 32, 48, 52, 55 and 5 more.
1 more fill is written out on the fills page.
88 bars across 8 sections: 63 keep time, 11 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 73-86.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
88 bars, about 4:03 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 16, 24, 32, 48, 52, 55 and 5 more.