175 bars of 4/4 at 136 BPM, about 5:17 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28-34, 40-42 and 44-47, and 3 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 16 times: bars 19, 27, 39, 51, 65, 73 and 10 more.
7 more fills are written out on the fills page.
175 bars across 24 sections: 97 keep time, 16 are fills, 17 are stops and 18 are silent. The longest unbroken stretch of time is bars 54-62.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
175 bars, about 5:17 at the written tempo. The course breaks it into 56 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 16 times: bars 19, 27, 39, 51, 65, 73 and 10 more.